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How to merge/combine clips in Adobe Premiere Pro[].Editing Green Screen Video in Adobe Premiere Pro |
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You can sync audio and video together if they are recorded seperately before. In the Project panel or the Timeline, you also can merge videos and audio in group, which is a great functions. Do you know how to merge clips in Premiere?
In this tutorial, we are going to show you how to combine videos clips as well as audio clips in Adobe Premiere Pro, you'll find the detailed steps below, and let me know your suggestion at the comment section. To combine clips in Premiere Pro there are some basic steps that must be kept in mind. Combining video clips is called creating a nested sequence; this is quite a powerful process. The good thing about a nested sequence is that it can be re-edited and will automatically be updated in all other sequences as well.
Now, with the latest version of the software being introduced which is Premiere Pro CC it has left its previous version CS6 behind in a few categories. The new updated version introduces added features such as morph cut, color workspace, multi project workflows, GPU optimized playback, Creative Cloud libraries etc.
All the new features of the latest version help enhance the user experience. The clips that you originally start with before merging them are called the component clips; they make up the singular merged clip at the end using the Merge Clips function. You can do the same in the project panel by dragging and dropping the required clips on the timeline panel instead, if you want to merge the clips on timeline.
However the same command i. Combining videos is not a difficult task, thanks to Wondershare Filmora, which features some of the most advanced video editing tools. You can also apply colors for special color effects or enhancements. For example, the Underwater color simulates the greenish-blue color cast common to underwater photography. The PS Arbitrary Map effect is intended only to provide compatibility with projects created in earlier versions of After Effects that use the Arbitrary Map effect.
For new work, use the Curves effect. An arbitrary map adjusts the brightness levels of an image, remapping a specified brightness range to darker or brighter tones. In the Curves window in Photoshop, you can create an arbitrary map file for the entire image or for individual channels.
You can import and apply an arbitrary map file with Options in the Effect Controls panel. When loaded into After Effects, the specified arbitrary map is applied to the layer or to one or more channels of the layer, depending on how it was created. To convert. Cycles through the arbitrary map. Increasing the phase shifts the arbitrary map to the right as viewed in the Curves dialog box ; decreasing the phase shifts the map to the left.
Apply Phase Map To Alpha. Applies the specified map and phase to the alpha channel of the layer. Selective color correction is a technique used by scanners and separation programs to change the amount of process colors in each of the primary color components in an image. You can modify the amount of a process color in any primary color selectively—without affecting the other primary colors.
For example, you can use selective color correction to decrease the cyan in the green component of an image while leaving the cyan in the blue component unaltered.
The Selective Color effect is provided in After Effects primarily to ensure fidelity with documents imported from Photoshop that use the Selective Color adjustment layer type.
Changes the existing amount of cyan, magenta, yellow, or black by its percentage of the total. This option cannot adjust pure specular white, which contains no color components. Adjusts the color in absolute values. The adjustment is based on how close a color is to one of the options in the Colors menu. The Details property group provides an alternate interface for adjusting colors and matches the properties shown in the Timeline panel.
You can also adjust the overall contrast of an image. The default settings are for fixing images with backlighting problems. Auto Amounts. If this option is selected, the Shadow Amount and Highlight Amount values are ignored, and amounts are used that are automatically determined to be appropriate for lightening and restoring detail to the shadows.
Selecting this option also activates the Temporal Smoothing control. Shadow Amount. The amount to lighten shadows in the image. This control is active only if you deselect Auto Amounts. Highlight Amount. The amount to darken highlights in the image. Temporal Smoothing can result in smoother-looking corrections over time. If this option is selected, frames beyond a scene change are ignored when surrounding frames are analyzed for temporal smoothing.
The higher you set this value, the less the effect affects the clip. The range of adjustable tones in the shadows and highlights. Lower values restrict the adjustable range to only the darkest and lightest regions, respectively. Higher values expand the adjustable range. These controls are useful for isolating regions to adjust. Specifying a value that is too large for a given image may introduce halos around strong dark to light edges.
The default settings attempt to reduce these artifacts. These halos may occur if the Shadow or Highlight Amount value is too large; they can also be reduced by decreasing these values. Shadow Radius and Highlight Radius. The radius in pixels of the area around a pixel that the effect uses to determine whether the pixel resides in a shadow or a highlight.
Generally, this value should roughly equal the size of the subject of interest in the image. Color Correction. The amount of color correction that the effect applies to the adjusted shadows and highlights.
For example, if you increase the Shadow Amount value, you bring out colors that were dark in the original image; you may want these colors to be more vivid.
The higher the Color Correction value, the more saturated these colors become. The more significant the correction that you make to the shadows and highlights, the greater the range of color correction available. Midtone Contrast. The amount of contrast that the effect applies to the midtones. Higher values increase the contrast in the midtones alone, while concurrently darkening the shadows and lightening the highlights.
A negative value reduces contrast. The Tint effect tints a layer by replacing the color values of each pixel with a value between the colors specified by Map Black To and Map White To. Pixels with luminance values between black and white are assigned intermediate values. Amount To Tint specifies the intensity of the effect.
This effect is GPU accelerated for faster rendering. The Tritone effect alters the color information of a layer by mapping bright, dark, and midtone pixels to colors that you select. The Tritone effect is like the Tint effect, except with midtone control. The Vibrance effect adjusts saturation so that clipping is minimized as colors approach full saturation. Colors that are less saturated in the original image are affected by the Vibrance adjustments more than are colors that are already saturated in the original image.
The Vibrance effect is especially useful for increasing saturation in an image without over-saturating skin tones. The saturation of colors with hues in the range from magenta to orange is affected less by Vibrance adjustments.
To affect less-saturated colors more than more saturated colors and protect skin tones, modify the Vibrance property.
To adjust the saturation of all colors equally, modify the Saturation property. The Video Limiter effect clips video signals to legal ranges in the project working space. For broadcast, these ranges are measured in IRE units. You can limit the chrominance and luminance values of the video signals to meet broadcast specifications. You can apply it to individual layers, or to an adjustment layer to limit your entire composition.
You can use the Video Limiter effect instead of the similar but older, 8-bpc-only Broadcast Colors effect. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Third-party effects in this category included with After Effects:. Lumetri Color effect. This effect works with 8-bpc, bpc, and bpc color. Selective color adjustment with the color correction curves. RGB curves. RGB Curves let you adjust luma and tonal ranges across the clip using curves.
The master curve controls the Luma. Initially, the master curve is represented as a straight white diagonal line. The upper-right area of the line represents highlights and the lower-left area represents shadows. Adjusting the master curve adjusts the values of all three RGB channels simultaneously.
You can also choose to selectively adjust tonal value only for Red, Green, or Blue channels. To adjust different tonal areas, add control points directly to the curve. Click directly on the curve line and then drag the control point to adjust a tonal area. Dragging a control point left or right increases or decreases the contrast. Hue saturation curves. Hue versus Hue - Select a color hue in the image and change it to another hue. Hue versus Saturation - Change the saturation of a color in the image.
Hue versus Luma - Adjust the brightness of a color in the image. Saturation versus Saturation - Select and adjust the saturation range within the original saturation of an image. Luma versus Saturation - Select a luma range and adjust its saturation. Set up Hue Saturation curves. Selectively color grade your footage. Click the eyedropper for the curve that you want to use. Drag the control points to adjust any of the color curves. When you selecting another color with the eyedropper, it adds additional three points to the graph.
You can also create control points by clicking the curve. To delete a point, use Cmnd-click Mac and alt-click Win. Double-click any point to clear all points from the graph. Press the Shift key while you select a point on the graph to lock a control point at thier current hue. Drag the center control point up or down to raise or lower the output value of the selected range. For example, you can use the Hue versus Sat curve to select a green range; dragging up increases the saturation of that range of green colors in your video, while dragging down reduces the saturation.
While moving a control point, a vertical band appears to help you judge your final result. It is useful in the Hue versus Hue curve, where it can be tricky to judge the resulting hue. For example: you want to fine-tune the orange color which looks like a pale yellow. You can use the Hue versus Hue curve to select a range of orange colors.
With the center control point selected the vertical indicator shows you that pulling down shifts the pale yellow towards orange. Examples to illustrate the hue saturation curves. Hue versus Saturation - Adjust the saturation of pixels in a selected hue range.
Useful for saturating or desaturating specific colors. For example, in the image, this curve has been used to increase the saturation levels of the image making the girl look less pale. The saturation of the blue sky and the light has also been increased to make the image look warmer. Hue versus Hue - Adjust the hue of pixels in a selected hue range. Useful for correcting colors, for example, the curve is used to change the hue of the dress of the girl. This curve is useful for tasks like changing red to orange, or in fixing pale skin.
Hue versus Luma - Adjust the luminance of pixels in a selected hue range. Useful for emphasizing or deemphasizing isolated colors, such as making blue skies darker or a purple flower brighter. In the example, the pale blue sky and its reflection in the water below has been darkened to add more drama to the image. Luma versus Saturation - Adjust the saturation of pixels in a selected luminance range. Useful for saturating or desaturating highlights or shadows.
In this example, this curve is used to slightly increase the blue tones within the luma. Saturation versus Saturation - Adjust the saturation of pixels in a selected saturation range. Useful for bringing colors into legal range, such as compressing highlights or shadows. Auto Color and Auto Contrast effects. These effects work with 8-bpc and bpc color. Auto Levels effect. Broadcast Colors effect. This effect works with 8-bpc color. How to reduce signal amplitude:. Reduces the brightness of a pixel by moving it toward black.
This setting is the default. Change Color effect. The Change Color effect adjusts the hue, lightness, and saturation of a range of colors. The amount, in degrees, to adjust hue. Positive values brighten the matched pixels; negative values darken them. The central color in the range to be changed. How much colors can differ from Color To Change and still be matched. Inverts the mask that determines which colors to affect.
Change To Color effect. The center of the color range to change. Which channels the effect affects. Change By. Use the View Correction Matte option to better identify which pixels are matched and affected.
Channel Mixer effect. Color Balance effect. Color Balance HLS effect. Color Link effect. Specifies what values are sampled and what operation is performed on them.
The effect places a stencil of the original alpha channel of the layer over the new value. Color Stabilizer effect. Set Frame. What to stabilize:. Brightness is stabilized using one sample point Black Point. Color is stabilized using two sample points Black Point and White Point. Black Point. Place this point on a dark area to stabilize. Mid Point. Place this point on a midtone area to stabilize. White Point. Place this point on a bright area to stabilize. Sample Size.
Radius, in pixels, of sampled areas. Colorama effect. Input Phase controls. The color attribute to use as input. Choose Zero to use a color attribute from another layer. Add Phase. The color attribute from the second layer to use as input. Add Mode. How input values are combined:. Phase Shift. Tip : Animate Phase Shift to cycle colors around the wheel. Output Cycle controls. To delete a triangle, drag it away from the wheel. Modify controls. The color attribute to modify.
Modifies alpha channel values. Pixel Selection, Masking, and other controls. Mask Layer. Curves effect. You can load and save arbitrary maps and curves to use with the Curves effect. To change the size of the graph, click the different resize buttons above the graph. Use the Curves effect. Use the Bezier tool and the Pencil tool to modify or draw a curve. To activate a tool, click the Bezier button or the Pencil button. Equalize effect. Exposure effect.
Adjust all channels simultaneously. Adjust channels individually. If you are looking for a professional video editor with various built-in title templates, you can use Wondershare FilmoraPro to make compelling videos easily. It offers more than 40 title templates, including lower-third titles, travel titles, heart titles, and so on. You can also customize titles by changing the color, position, transparent, font, alignment, and more.
Now free download it to have a try on Windows and Mac! In case that you're just a beginner of video editing software, you can start with Wondershare Filmora Latest Filmora version X to add text to videos, which is powerful but easy-to-use for green hands. Download the Wondershare Filmora below. There are hundreds of Text and Titles presets available in Filmora, which allows you to add titles, subtitles, scrolling end credits, lower 3d, and openers with ease.
You can also apply some animation effects to the selected title presets. Besides the built-in title presets, Wondershare Filmora Latest Filmora version X also provides more title templates in Filmstock , which offers lots of special effects templates.
Currently, there are Title Expansion Set, business title set, wedding title set, and lower third expansion set to download. Check the video below to watch the Title Expansion set templates. This is another site that offers templates for download but is also a great place to visit for ideas and information. Richard approaches Premiere from a photographer's viewpoint, and so has a slightly different view on many topics that are well worth reading.
He has links to a sizable number of templates on Richard Harrington covering a range of styles and subjects, including DVD menus, animated text, and high-quality models. Still, his blog is updated regularly and often includes free downloads.
Another all-encompassing site has a huge amount of information and knowledge to be gained. The templates are just part of the story. They are available on Pro Video Coalition and include numerous files and even some free video content showing their implementation. Also on this page are links to some other sites offering free content or advice on various aspects of Premiere, making it well worth a visit and definitely worth its place in this top Of particular interest on this site is the regularly updated news which focuses on the latest hardware and software announcements.
This is a commercial site that offers a wide variety of high-quality plugins and templates for several video editing platforms. However, we are on the lookout for that fabulous price of free here, so a little digging finds this page , here you will find ten templates from one of their best selling products offered entirely free.
All templates are quality professionally produced products and worth the visit alone. For anyone who is looking to take their editing output to the professional level, the commercial products on offer here are well worth a look, high quality, and a reasonable cost. Another commercial site. This one has a range of free templates and presets to download for Premiere.
Fourteen open items altogether can be downloaded. This site at least deserves a browse through their catalog after a download. The emphasis here is on low cost but high quality, useful templates, and plugins to suit any project. Even for those of us with a limited budget, there may be something that catches the eye. It is an excellent site for browsing when looking for inspiration. This is another commercial site that has a smattering of very high-quality free downloads on offer, including a beautiful template for the original Star Wars movie style scrolling titles.
Again, it is worth browsing the catalog when you are on the site, but all the free products can be found here. FX Factory has also created some great video tutorials on a variety of aspects of video production that are well worth a view when you are at the site.
A fantastic site full of information, tips, and opinion on all aspects of video production, it's a great place to spend some time, with the bonus of a bunch of free downloads for Premiere. Of particular note are the tutorials, an excellent source of information and tricks that you may not have seen before, with their YouTube channel being a great source of free guidance for editors of any sort of experience.
A commercial site is offering some great products at competitive prices. At first glance, this may not seem to be a useful place for our search for the free stuff. However, all the products do have a free trial download, and as a bonus, the trial for pack one includes four free to use templates. They are quality products too, and well worth a look. Style4Type is an exciting site regularly updated with new free templates as well as offering technical advice and having further templates available as commercial products.
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